HitchCon ‘25 Program

A CENTURY OF HITCHCOCK

Friday, October 3rd

  • Welcome Remarks
    Joel Gunz

    Host
    Walter Raubicheck

    Scottie on the Analyst’s Couch: A View of 1950s Psychology in Vertigo
    Colleen Glenn

    Notes on Vertigo: Camp Sensibility & Madness
    Stella Castelli

    #hitchcockmask
    Cassidy Alexander

    Q&A

    Break

  • Host

    Walter Raubicheck

    Hitchcock’s Social Class: The British Silent Years
    H. Marshall Leicester

    Chadwick and Danvers: Hiring the Help in Hitchcock
    Pat McFadden

    Beneath the Masks: Love, Identity and Class Divide in Hitchcock’s To Catch a Thief
    Steven DeRosa

    Q&A

    Lunch Break

  • Host
    Elisabeth Karlin

    Hitchcock and Theatre
    James Chapman

    Dual Versions and Visions of The Man Who Knew Too Much
    Oisin Queally

    Something’s R.O.T.ten in the State of South Dakota: Roger Thornhill’s Matchbook Redemption
    Walter Raubicheck

    Overlooked Gems: The Curious Incident of Hitchcock's “Incident at a Corner”
    Christopher McKittrick

    Q&A

    Break

  • Host
    Elisabeth Karlin

    Hitchcock and Herrmann: Their Friendship and Film Scores
    Steven Smith

    Q&A

Saturday, October 4th

  • Host
    Steven DeRosa

    Disenchantment and dissociation in Vertigo and Severance
    Nick Haeffner

    Esoteric Realism in Three Masters of Suspense: Hitchcock, Kubrick and Lynch
    Nathan Seckinger

    What is Pure Cinema?
    Joel Gunz

    Q&A

    Break

  • Host
    Steven DeRosa

    The Conflict of the Single Woman in Hitchcock’s Films
    Caroline Young

    Looking Out/Listening In: Masculinity in Crisis in Rear Window and The Conversation
    Rebecca McCallum

    Vertigo Bardo: Spectral Rebirth and Death in Alfred Hitchcock’s Vertigo
    Elizabeth Bullock

    Q&A

    Lunch Break

  • Host
    Pat McFadden

    Introduction to The 39 Steps
    Walter Raubicheck & Steven DeRosa

    Screening of The 39 Steps

    Q&A

Sunday, October 5th

  • Host
    Robert Kapsis

    Hitchcock's Worldwide Reception
    Robert Kapsis

    Hitchcock Before Cahiers: Postwar Auteurism in L’Écran Français
    Tifenn Brisset

    Hitchcock in Argentina: Seeing Psycho through Taxidermy
    Dona M. Kercher

    Invisibility and Hypervisibility: Hitchcock in Japan
    Daisuke Miyao

    Respondent
    Elizabeth Bullock

    Q&A

    Break

  • Host
    Pat McFadden

    “Is it Future or Is it Past?”: Trauma, Repetition and Tragic Heroes in Vertigo and Twin Peaks
    Erin Bradfield

    There’s Always Someone Watching: The Hidden Hitchcockian Influence in The Skin I Live In and The Substance
    Katy Coakley

    A Sea Change: Is Lifeboat Improving with Age?
    Elisabeth Karlin

    Q&A

    Lunch Break

  • Host
    Elizabeth Bullock

    Hitchcock the Entertainer
    Thomas Leitch

    Reflections on The Pleasure Garden
    Sidney Gottlieb

    Q&A

    Break

  • Host
    Sidney Gottlieb

    My Memories of Working with Kim Novak and Anthony Perkins
    Steven DeRosa & Barry Sandler

    Q&A

    Closing Remarks
    Joel Gunz